This is an introductory post containing excerpts from  Women In Film/Kerry Reid’s interview of me when I won the Women In Film Focus Award. It was first published in Reel Chicago.



REEL: What is the first film you remember seeing with Roger?

EBERT: I think it was a Bunuel film, Un Chien Andalou. We loved watching Bunuel together .

REEL: What movies do you consider indispensable viewing for anyone who truly wants to understand and appreciate the art of cinema, “desert island” films that you feel you can repeatedly watch?

EBERT: Those are two different types of films. “Indispensable for appreciating the art of cinema” may not be the “desert island films,” but some of both films off the top of my head would be: almost any documentary with a conscience, like Food, Inc. Or any film by Stanley Kubrick, but especially A Clockwork Orange or Dr. Strangelove.

If I wanted to cry or emote it would include Terms of Endearment, The Color Purple, Tous Les Matins De Monde, any film by Nicole Holofcener, or any head-over-heels love story.

For pure cinematic wonder, the films of Fellini, John Cassavetes, Jane Campion, Alan Rudolph; the films of Charles Burnett, Spike Lee, Julie Taymor; any film with Isabelle Huppert or by Kasi Lemmons, or the Coen Brothers, Spike Jonze, Pedro Almodovar, or John Sayles.

For fun, action films with Bruce Lee, especially Enter the Dragon. Or Charles Bronson or South Korean revenge films like Old Boy. Or muscular films by Kathryn Bigelow; science fiction films like Dark City; scary films like The Exorcist.

Any film by Lars Von Trier – whether successful or not, they are always visually interesting, even if sometimes immature.

Any film with Alfre Woodard, Laura Linney, Denzel Washington, or the 1970s and ‘80s Robert De Niro films. Any film with good dancing, even in 3D and well-made British costume dramas.

Okay, I see why Roger doesn’t like to make lists! Where do you start? Where do you stop?

REEL: Are there any films you and Roger disagree about?

EBERT: We disagree about A Clockwork Orange. It’s one of my favorite films and it just leaves him cold. I don’t get his love of Joe Versus the Volcano. We do talk about our differences in opinion, but there are so many films that we agree on that we end up discussing those. We both passionately agree on well-made films where people commit random acts of kindness. In both a concrete and philosophical way, we believe in “goodness.”

REEL: What is the quality that you think most defines excellence in film criticism?

EBERT: Having the curiosity to acquire a broad base of knowledge and life experiences really helps one excel in film criticism. And having the desire to communicate that to your readers or viewers in as accessible a way as possible also helps.